Visitors News

Orticolario 2018. “Everyone for sage!”

Si salvia chi può!

Ph. Luigi Fieni.

Playing

“Luchino and Edoardo liked to scare the tourists who sailed past the Villa on the boats. After undressing, the two boys rolled into talcum powder or flour, removed the statues of the park from their pedestals and jumped on these, remaining motionless in statuesque poses. Just when the boat was closest to the villa, they dived into the water and terrorized the passengers.”
(“Luchino Visconti. The flames of passion” by Laurence Schifano)

How could we celebrate the tenth edition?
Playing in the garden with irony, surprise and amazement, illusion and vision, discovery, fun, experimentation, rule and freedom, fantasy, ingenuity, paradox and reality, sharing, otium, art and joke. The garden is “born out of a game”, to give pure pleasure and to dedicate time to pleasure.

A walk in the greenery theater, a jump from riddles to puns, winking at the labyrinth, the fairy tale, the dance, with a somersault towards magical chessboards.
In short … game is a very serious matter! Players can be totally taken over by this free action that weaves relationships in an “other world”, where rules that are different from those of the real world teach us to experience the reality of places and things, so that we can appreciate, protect and enhance them.

Sage

And then … Sage, from the Latin salvus, i.e. safe, and from the Sanskrit sarvas, i.e. I keep intact.
What if we played also with its fragrances, flavors and colors?

In the summer meadows, among the warm mulberries and the garden vegetables, Sage is bound to impress. It unexpectedly appears happy and easygoing among people at Orticolario. A playful presence.
And obviously, Sage saves. That said, how does it save, a Sage?
It saves thanks to Silvia, the heroine of this story. A story taking place in summer, when it is hot and the lizards unhurriedly climb the wall of Villa Erba. Silvia chases them. She also climbs the wall heated by the afternoon sun and goes down into the coolness of the plane trees towards the villa, towards the lake. Slowly, that is how things should be done in the summer. She passes from the plane trees to the meadow, waiting for the shadows of the trees to lengthen and reach the lakeshore. She gets to bathe, a quick dip and then immediately turns back, but this time she runs, paying no attention to the plane trees and taking the shortest route. She runs on the lawn leaving behind Lario’s water drops. Silvia wets the ground and without realizing it, she saves the Sage, which begins to grow. Leaflet after leaflet, stem after stem, extending its ear, flower after flower.

Bibliography

“Il Gioco nel Giardino e nel Paesaggio” edited by  Laura Sabrina Pelissetti e Lionella Scazzosi (ReGiS – Rete dei Giardini Storici, 2017)
“Homo ludens” Johan Huizinga (Piccola Biblioteca Einaudi, 2002)
“Dance and ritual play in the Greek Religion” Steven H. Lonsdale (The Johns Hopkins University Press,1993)
“Per gioco. Saggi di antropologia filosofica” Eugen Fink ( Morcelliana, 2016)
“Gioco e giustizia nell’Italia di Comune” edited by Gherardo Ortalli (Fondazione Benetton Studi Ricerche/Viella, 1993)
“Ludica, annali di storia e civiltà del gioco” monografich “gioco e animali”  (Fondazione Benetton Studi Ricerche/Viella, 9, 2003)
“Nostalgia del paradiso. Il giardino medievale” F. Cardini and M. Miglio (Edizioni Laterza, 2015)
“Labirinti. Storia, geografia e interpretazione di un simbolo millenario” Maria Cristina Fanelli (Il cerchio. Iniziative editoriali)
“Sport e giochi nell’antichità classica” Giovanni Manetti (Arnoldo Mondadori, 1988)
“Il gioco. Le leggi naturali governano il caso” Manfred Eigen, Ruthild Winkler (Adelphi, 1986)
“The world of games. Their origins and history, how to play them, and how to make them” Jack Botermans, Tony Burrett, Pieter van Delft, Carl van Splunteren (Facts on File Inc., New York and Oxford, 1989)